Interviews from Intimacy stages / Active Empathy, Auckland

Drawing, Essays, Gender, installation, Poetry, Queer, Uncategorized, Writing


I did two interviews; one with Artists Alliance, one with Phantom Billstickers, about this project. Read more here:

Interview | Sian Torrington


A feminist proposal

Body, Drawing, Drawings, Essays, feminism, Femme, Gender, process, Queer, Uncategorized, Writing

This post is a beginning and end of a show, ish. The work began before the proposal, and it will continue beyond this show. But I wanted to be generous, and share what I wrote, and then what became of it. I made a decision about a year ago to start writing proposals that really said what I mean, what I really want to do, and use the language I really believe in. This is the result;

Sian Torrington – Proposal for Feminisms in Aotearoa, Enjoy Gallery

(Show later titled ‘Enjoy Feminisms’ at Enjoy Public art gallery, Wellington. Artists were; Dilohana Lekamge, Single Brown Female, Sian Torrington, Fresh and Fruity, Ann Shelton, Faith, Leafa and Olive Wilson. For more details about the show go here

and for my collaborative writing with Creek Waddington to accompany the work, go here

I wish to discuss female sexual aggression and dominance. I want to draw out my own queer body, which expresses its sexuality through diverse genders. I want to address the fear, shame, blockages and discoveries which accompany a series of coming outs around gender and sexual expression. I want to do this in the context of a feminist show because I also want to explore and address the fear of no longer belonging within feminism, of being a ‘bad feminist’. Of returning to the body and finding it changed and changing; an inconveniently uncategorizable process, and so linked to a process-based making.
Uncertainty, passion, expression, weight, effort. Self made, self defined.
And if I can only come when I close my eyes and my cock is half way down your throat, am I still a feminist?
When you do not see your body, desire or sexuality represented, it is imperative that you represent it yourself, and as honestly and in as much of its complexity as you possibly can.
The problem is still the body. My body is queer, kinky, strong, genderqueer, bolshy, sick, sensitive and hungry. It is excessive and intuitive and gut driven. It is all the things it is not supposed to be in a cool, irony driven art world. My life has been a series of coming outs. Feminist, artist, lesbian, queer, femme, dominant, activist, masculine, brute. The work I want to offer for this show is another coming out; of my body and my mission to explore its many rooms, through figurative and abstract drawing. My body and the things that are attached to it which are not imagination; parts of my body which you cannot see but I can feel.
I have always identified as a feminist. I believe that feminist thought, in its centering of the body, has the capacity to disrupt phallogocentric ideals of rationalism, objectivity and straight lines which have no relation to any body. And yet the body feminism represents can, and has, excluded many embodiments that still need and deserve its strength and protection. My feminism is queer, femme, genderqueer, body and sex positive, and includes all who identify as women, have experience being treated as women, and who claim femininity and femme as a place from which to speak.


I find myself feeling like I need to rein things in; rub out the finger prints on the edges of drawings, keep a clean space around the edges and select less rather than more. Galleries are white, clean, and there is an assumption that if you put a lot of things in it, you didn’t make enough decisions. Even though mass is a very deliberate and bold decision. It’s not that you just accidentally ate too much; it’s that you want to feel your body and this is the only way you know how to find your way back to that; to say yes to everything you want to eat. It’s not that you are not bothering to be feminine; it’s that you always felt secretly sexy when you are strong and lifting and building your own way, regardless of whether anyone wanted that. It’s that you are trying to explore something which doesn’t want to be regulated.
Artists make many things, but when we show in galleries, we hide the many in favour of the one final work or body of work. In doing this we exclude failure, accident and the trying energy of practice; the fact that making involves many repeated tryings and failings.

The work I want to make for your show is about being an aggressive, queer, tangled up, sexual, dominant emerging from fear and a busting-out genderqueer feminist person. I propose to make a large-scale drawing on the back wall of the gallery, compiled of many pieces, which shows body, appendages, fucking, being, remembering, becoming. The drawing will be assembled of many pieces which move through figuration and abstraction. The drawing will also be made from partial sculptures, which will extend the work into three dimensional space. I want to acknowledge the slippages, strangeness and mass of simultaneous embodied experience in sexuality and gender. I want to cease censoring and controlling the body and also the work, by including a mass of drawings, experiments and trials.
The drawings and sculptures I am proposing use my body as subject; active, embodied, messy, aggressive, self-formulating subject. The marks and gestures draw and repeat actions that are made in sex; in battling this body, these genders, this sexuality, out of itself. Through intimacy, reflection and interaction with itself and other bodies, it becomes known. Through the process of making, it becomes visible. But what is represented is from the inside. I cannot speak for anyone else, only for me, from me. In this I reflect the highest value of consent; that to be a fully consenting adult, one must be fully informed, and know oneself as fully as possible.
I am involved. I am implicated.

Thanks to Enjoy Gallery and Harry Culy for the images.

This is a Femme Slam


I was asked to be a part of a panel called ‘Femme Velocity’ at CIty Gallery, Wellington, on Saturday  6th April 2013. I was so excited, because I thought I was being asked to speak on a queer panel exploring femme identity. I quickly realised this was not the case, that ‘femme’ was being used in another way. Below is my speech… queer revolution with love and compassion

friends XImage


I am Sian Torrington, a proud, out queer femme artist pirate. I usually love talking about my art, but today, I need to talk about Femme. Femme is a gender identity, and a sexual identity, and it’s my identity. It’s not just a cool word. Words are important. We live in a colonised country, and we know the importance of words. We know about what it means to take something from another culture without asking what it means or finding out its whakapapa. It’s called appropriation.


I am proud to be standing under the term Femme today.

Aych, a femme, boi identified fag, wrote;

“Femme is a word fought for.

Femme is a politic.”

It’s not just a cool word. It’s contested, fought for territory, and this is my fight for its visibility. Because if there’s one thing femme is really over, it’s being invisible.


This is a femme slam.

Disinterested in- easy answers / ordinary language.

Passionate about – abstract, visceral, embodied, brave, vulnerable attempts to describe being here. Femme pride and visibility, unapologetic queer revolution, with love and compassion

Acknowledge – everything I do comes from my own experience

Hope – if I do my very bravest best, then it also makes space for yours.

Note – All identities in this talk are self identified

Femme is process, Femme is there’s no way over, only through. Femme is ask, don’t tell. And, ask nicely.

This is my love poem to femme, which has set me free.

And it’s my love poem to Butch, boi, trans, genderqueer wonderful beings, who found me.

But first, some others words, because this isn’t just about me…

“FEMME SHARKS WILL RECLAIM THE POWER AND DIGNITY OF FEMALENESS BY ANY MEANS NECESSARY.                                                                                                        WE’RE GIRLS BLOWN UP, TURNED INSIDE OUT, AND REMIXED……

Leah Lakshmi Piepzna-Samarasinha, from “FEMME SHARK MANIFESTO” pp287-288


 “Me, Simone, and Dot” Chandra Mayor, pp 161-162

“Femme is costume and play…Femme is deeply loving those delicious butches… Femme is a political stance against the patriarchal strictures of society, a reclamation of “slut” and “whore” and “bitch,” and a you-can’t-shut-me-up fuck-you attitude….. Femme is the deepest part of me, the softest and the fiercest, all at once…..We’re not supposed to flaunt our vulnerabilities as fully self-possessed tools or weapons, without shame. …But I do have a name, a history, a community….Like it or not, I was born a femme. With every fuck-up, I figure it out a little more.”

Elizabeth Marston, a self identified ‘permaqueer trannydyke’, writes

“Let’s say that femme is dispossessed femininity. It’s the femininity of those who aren’t allowed to be real women and who have to roll their own feminine gender….cis-female lesbians….in the fifties…..contemporary femme dykes…..queens and trannies… femme gay men….

What these groups share, …is the illegitimacy of their femininity. That’s how I understand femme: badass, rogue, illegitimate femininity. … Femme is a move from dispossession to self-possession. We’re not allowed to be real, so we’ve figured out something else to be, something new – and that something is femme.”

Elizabeth Marston, “Rogue Femininity” P205 – 7


And this, from me


You say noone can read you and I think I AM TRYING

my hip says I don’t trust you




I thought, I can’t possibly be a lesbian, cos the beings I relate to are those divine drag queens.


Peacock, queen, proud, hard headed, tutu, goddess, darling, sugar blossom, princess, baby, witch, bitch, slut, loveliness, the girl who shines with smarts, hards, softs, pirate, proud glitter crazed hot haired high homo


I submit. I admit. I say please, Dance with me



Butch Boi . “ya all the women I’ve had encounters with have been pretty damn femme..they’ve all had struggles with expressing their femininity, because the world shames women about every fuckin thing, being prude is bad, being a slut is bad, being proud is bad, being overly modest is frumpy and unsexy like nerdy, not slutty nerdy which is better but its still slutty so its bad, and being uncool is bad just like being too smart is bad and dangerous, and dangerous is only good when its sexy and yep then its slutty so its still bad, but not as bad as fully owning it dangerous demanding respect because then you’re a bitch… and its just like FUCKINGODDAMNEVERYTHING – when you’re up against all that since birth, a violent society, a systematic asphyxiation, how’s a girl still wanna show her nice side, her compassion, her let you in, her show it off?”


Soft is stronger than hard

I can’t be reasonable. It’s just too limited. 

My washing lines my room while I grasp for words and bravery to reach

to be fearless


I invited you because I didn’t want anyone to be alone. However it is, we should be able to be close to one another. When it is awkward, when we hold, when it is hard, when there is not light, when the glitter has run down the drain, when your body remembers, when my body remembers and dreams the shame you poured me let it be different. Let us be brave, let us be here.



 “You have so much swagger”


I have been called many things in my life. And then lately someone called me a peacock. They made me screech and perform on a street corner, dancing on kerbs and feeling my spin stretch and lift sky proud, shimmering feathers, showing off.

Their butch found my femme, and there was joy and terror in it. Terrified of revealing, showing, wearing skirts which have always felt absolutely like sex to me. Of not being queer enough, political enough. If I care so much about expression and beauty and process and art and I don’t know the right words for anything, but I want to, is that enough? And if I can’t walk in high heels or write as well as I want, is that enough?

And if what I want to do when they tell you ugly things in your ear and threaten you and block my path is smother them with colour is this enough? And if when they make me fear to walk my own town without a big black coat if all I want to do is make an army of glittery dripping soldiers who flood bigness and love and wash the streets with shiny paths is this resistance enough?


We are in this together




Your one abandoned movement has opened a new room in me.

It is filled with treasure.



I got lost in Galerie Lafayette. I was at the perfume counter and everything was gold and sweet and pink. My ancestors sailed and fought and fell out for generations over gold. I waited there, waited for my ‘real parents’ to come pick me up. The ones who are millionaires. The ones who will buy me all of these gold things.


She says, sitting here, on this sofa, beside my daughter, I have to tell you, you have no idea what it is like to be a woman in this world.


I will always use everything I have to defend you. I have your back and I will put my body before them.


Write to him / Butch Femme


What have I not told you? I have not told you this.

That I would fight bare knuckle to be loved my whole life by bois like you

to find these places which are always being found, and always being lost and trying to speak

I would blood my elbows to get into here, to get the hands like yours all the way until I catch my breath and

catch you.


I have not told you that this trying lusting experiment this reaching for more this balancing on faith is all there is

and all I want there to be and for all I look for nets when my head swims and loses its ground those nets are also made by us, by our kind, by all of our kind. There is kindness in queer.

I have not told you because the tide moves so fast and I am searching for words and moved before I can say hey

that was important.


I have not told you that yes we love in different ways and we love different things, but when we love each other, it is the right thing.


I have not told you that every sequin every shine that reflects us both every fierce every high heel every telling every showing every caring it is for me, and it is for you, because YOU SEE ME.


And that I defend this kingdom of mine tooth and nail and fight and beg and kneel before it and water it knead it rise it raise it hide it shelter it because I know what home is worth. Because I know the last ten years have recovered the former through digging in fits and starts what has been covered with a slow accretion of body saying YOU ARE NOT LISTENING.


What have I not told you? And what I cannot tell you in words I make in charcoal I slide against the wall with black in both my hands it is still and flat then soft and curved I can’t hold and fall with one long pencil line to the floor my knees raise me not because I want to but because I have to reach I feel your hands. This is where the pink goes later, flooding down one side and cracking open the black hood I hid in with eyes closed and forearms flat against the wall allowing, remembering.


All quotes are from essays in ‘Persistence, All ways Butch and Femme’, Pub Arsenel Pulp Press, Vancouver, 2011

With grateful thanks to all who made it possible for me to speak with honesty, bravery and integrity. You know who you are… big glittery femme love to you X

Also huge thanks to Mareika from and Lexi from and Phlossy Roxx for giving me permission to show your wonderful, inspiring femme blogs.

A special thanks to Kabel Manga, for being up there with me.

And to that Butch Boi, for all the adventures X